Good Gravy’s self-titled first release has a little something to please any breed of hippie, Kentucky bootlegger, or drunken wanderer. The album rambles between bluegrass, jam, electronica, and world musics like a hillbilly Phish fan at a Zambian nightclub.
Dueling mandolin and guitar solos carry the songs from a foot-stomping rumpus to chemical dance beats and into a laid-back, Deliverance-style twang. Intermittent synth solos and persistent hand-drums allow the songs to betray their Appalachian roots.
Vocal talent is not this album’s standout trait, but the quintet’s grasp of harmony and melodic charm carries the songs appropriately. This is mirrored in the lyrical input, where one will likely find the typical bluegrass offerings and rhyme schemes less than profound and yet refreshingly light, nostalgic, and enjoyable.
One notable track, “To The Mine,” is a moody ode to trapped miners that transforms into a lengthy and tripped-out dance breakdown that, frankly, leaves one wondering what drugs are common in the mining industry.
“Chugwater” is another standout tune, playing between a mellow, backwoods beginning and a bluesy refrain which are brought into focus by a hearty, satisfying, and melody-driven chorus section.
Overall, the album is an impressive release from the local bluegrass-fusion quintet. Although this gravy is at times a little thin, it could still accompany a side of Leftover Salmon, or make a tasty topping for Disco Biscuits.
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